I work with paper as both surface and metaphor—layering, tearing, burning, folding, and sanding until hidden strata emerge. My process is grounded in the tension between building and erasing, between what endures and what falls away. Each fissure or mark becomes a quiet record of impermanence, a trace of time passing through material. Moving between radiance and restraint, geometry and flow, my works echo the shifting language of nature: skies dissolving into stillness, grounds murmuring with memory, planes unfolding like earth itself. What remains is more than image—it is evidence of presence, fragility, and renewal held in balance. Through these abstractions, I seek the stillness within transience: a space where what is delicate reveals its strength, and what is fleeting becomes quietly enduring.